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Trailers have been around for as long as films have. The earliest trailers date from the silent era, and were simply a succession of inter-titles. With the arrival of the talkies came the founding fathers of the trailer voice: men such as Art Gilmore, a stickler for proper enunciation, who brought a dictionary to all his recordings. His commanding, fatherly, all-American voice featured on some 3,000 trailers, classics of every genre, among them Vertigo, It’s a Wonderful Life, Dumbo, South Pacific and Ocean’s 11. The word tells you how to say it, he would explain. Exciting words should be spoken excitedly; downbeat ones with a lower tone. “It’s a pretty sweet gig,” says Dean Panaro, a voice-over agent whose clients include Melamed.
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