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What I love about Lucas is that she creates this effect by channelling the red-top vernacular of the street – indeed, I don’t think I have ever been to a show that feels less detached from the everyday hurly-burly occurring outside the gallery’s front door. This is not to say her art lacks sophistication – many of her sculptures incorporate sly asides about 20th-century predecessors such as Marcel Duchamp or Francis Bacon – just that there is something delightfully defiant and freewheeling about this loud-mouthed exhibition. Lucas tells it like it is.
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