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But other than one song that evokes the rhythm of Wonderâ?s â?Higher Ground,â? his music rarely reaches for deeper soul. It aims instead for the blue-eyed brand of Hall and Oates, a reference deepened by Hawthorneâ?s timbre, which bears a more than passing resemblance to Daryl Hallâ?s. At the same time, his jazz leanings elevate the songs above H&O. More, his falsetto â? which bears much in common with the hoots and cries of Pharrell â? brings their â?70s sound into the present.
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