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There was a lively discussion in the artist’s presence about the nature of a beautiful, brilliantly coloured object lying in the water of his painting of Venice, Ducal Palace, Dogano, with part of San Giorgio (1841). Was it a buoy, a “gorgeous turban”, a seaman’s cap? The company turned to the painter for the answer. “After one or two twitches of his lips, and as many half hmms, he replied: 'Orange – orange.’”
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