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Its sparse use of Alex Ebertâ?™s piercing score, which at times suggests the otherworldly drama of Vangelis and (over the closing credits) the ragged splendor of Tom Waits, does much to conjure the emotional force that Redford canâ?™t quite muster. I doubt I (or many others) will watch this film more than once, but Iâ?™d love to hear Ebertâ?™s compositions again.
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