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Mariss Jansons is just the man to establish that balance and scope of sonority, volume and timbre, and to harness his forces to a reading of the score that is both thrilling and telling in its emotional finesse and sincerity. Compare and contrast, for example, the spine-tingling exultation with which Jansons invests the conclusion of the first part – the “Veni, creator spiritus” – with the crepuscular atmosphere that follows at the start of Part 2.
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